Saturday, November 8, 2008

Ana huma, huma hunaaka.

I'm not the type to ask but I asked. "OMG Wheeerrree did you get your bag?"
It was a one-strap Kashmiri embroidered tote, identical to the ones I collect each time I go back, and apparently hailing from the Austin City Limits Music festival circa 2006 where it sells for 10 times what it costs in Lal Chok. The woman was dressed entirely in black leather.
"You know it's funny because I wasn't even going to wear it today it totally clashes with my outfit."
"Yeah I know, it does. It's pretty though. It looks Spanish." I'm not sure why I said any of those things.

At the terminal I struggled to load facebook and stream The Office and eat a bagel at the same time. If I don't publish my mood to all my old friends from high school how can I be sure I'm really feeling it?

"[random russian gibberish from man nearby]"
-What?
He looked remotely desperate and I thought maybe he was asking for my bagel.
"Russian?"
-Oh, no, I'm not Russian.
"Aremenian?" -No
"Turkish?" -No
"Greek?" -No, I get that a lot though. I mean, when I'm in Greece. I mean, when I was in Greece that one time.
"You really really look Greek."
-Then why did you guess all those other things?
He started yelling to his wife to make sure she remembered to order his coffee.

The world is getting bigger and more self-aware.
These relationships will slowly help me develop a nationality that encompasses both where I'm going and where I've been. I just want to be truthful.
Then the problem of finding a word for it.
I might have to move a century back to find the point of origin. There. That.
Them!
Say it enough times.

There is something particular about the waiting area in the Buffalo Airport, since it can be assumed that for the most part, only some emergency or devastating news or familial obligation can bring people to Buffalo from some other place on a night like this. And somehow it drains enough out of you that even moments away from boarding the plane back home, most of us still look like we want to die. At least we have eachother's drained, deflated faces to look at and think about how messy her hair is and how strange her nose is and how you want that bagel she's got and why didn't you think of that before you passed through security?

Wednesday, October 15, 2008

OUR SHELVES AND HEARTS:



Three men in Astoria.
I must have looked Muslim that day.
"Assssalaaamalaikum Sister."
“'slamlaikuuuum.”
I butchered it with the old Urdu pronunciation I just can’t shake and secretly don’t want to.

Small businesses generally remind me of camping stores. The shelves here were divided into squares holding Islamic gear- DVDs, headscarves, hadith quotation collections, full hadith collections so you can pick and choose like herbal remedies- the same books weighing down our shelves and hearts back home.

Some titles:
Hell and Heaven
Hell & Judgment
Hell and Shaytan
Hell and Punishment
Hell and You
Hell and Your Burning Spirit Corpse
Hell & Your unanswered cries of pain

I’m waiting for some newer, sexier titles, as is the way with academia.
Like, make me take your class.

Hell and the Politics of Agony and Eternal Regret.
Hell & Rhythmanalysis of Your unanswered cries of pain and eternal suffering.
Heaven & Your Eternal Absence in it.

So anyway, a little girl was squatting beside a shelf of “Adam’s World” DVDs and asked “do you want a movie?” She appeared to have sprouted from one of the white bearded Arab men conversing with the African(-American?) cashier.
“Nooo, not today.” I was looking for the Arabic-English Dictionary.
“Do you speak Arabic?”
Even in speaking with a child, I was suspicious of her motives. Did she own the store? Would she judge me? Yessss.
“Maybe…no. No, I don’t. DO YOU?”
She gave me an “are you kidding me” face reminiscent of when I answer questions by pointing to my nose.
“What’s your name?” I asked and prepared my palate to pronounce it correctly.
I failed. It was so outlandish I can’t even remember it. At least eight vowels. All in a row like little starving children at a kitchen bench.
“I’m Shifa’ ” Naaailed it.
Now the cashier addressed me and the girl was promptly pulled away like an attentive Backstage Drama Club was at work.
“Ooooh I wish I was good like youuu.” He kept saying it.
I looked around. It seemed he was speaking to me.
“This is a dictionary.” It was green. Could’ve been a Qur’an, admittedly.
“Where are you from? I from Senegal. Born in Senegal, raised in France, lost in America.”
I laughed heartily, sincerely, and tried to start paying for my dictionary.
“You know, they charge $45 for this at the NYU bookstore, you’re getting gypped!”
I thought about a possible substitute word for “gyp.” Nothing came.
“You know though, I came to this country and just fell apart. Everythin’, everythin’. Before, I was so good. I was soooooo good. Doin’ everythin’ right. But I got like I thought I was better than everyone else. Now I see I’m just a man, like everyone. Now I have that humble- I can be humble because I’m lost.”
He enunciated his T’s in a pretty way.
“Yeah, it’s hard.” My Buffalo accent sounded disgusting after his monologue. I think sometimes I emphasize it just to gross myself out.
“And you know, sometimes my friends they ask me why I like the white women not the Black women I tell them I don’t knoooow, I just like the white women and they say what if there’s a white woman and a black woman and the black woman is prettier, watchu gonna pick I say okaaaaaaay the black woman. Hehe.”
“So really you just like beautiful women.”
I’m not sure if he understood my accent.
“…I wish I was good like you.”
I looked down at my paid-for dictionary. My dictionary.

What ever happened to the boys? The sons of that guy in Bryant Park I met last summer when Samia couldn’t find me at the movie. I heard him speaking Arabic on the phone and got all excited and said something about it and he asked me why I was studying Arabic all the way over there in Morocco. “Why not in New York- there are more Arabs here than Lebanon!”
“Lebanon is small,” I replied.
“I have two sons. Both of them can teach you Arabic- for free.”
I thought about his proposition. “At the same time?”
It was a joke. I wouldn’t say he eyed me wearily, but he definitely eyed me.
In any case, I don’t think he replied.

Tuesday, September 23, 2008

Ramadan Blues

The thing about Ramadan in NY is that almost every mosque represents a different part of the world. I found a watermelon themed jainamaz from the Bengali man with the incense rack that always makes me embarrassed, mostly unsure if the bearded vendors notice that they sell fragrances titled "lick me all over" and "touch me here" right under the "patti labelle" shelf. I guess she's wholesome enough for all of us.
The Syrian and Egyptian hanouts share my loyalties when it comes to "canned fooul" and expired halal cheese.
I once frequented the Burkina Faso-ian market but I've converted over to Kosher meat from Trader Joe's because I can't be bothered to skin my own chickens (and to think I ever imagined I could marry a Moroccan). It was fun speaking French though. They were all so nice to me. They invited me to their country.
I'm invited.
As is the way, the only place I could find to belong was the place no one belongs. The "University" Islam scene is somewhat of an enigma. Complete with flourescent lights to spotlight the sins we commit pre-lunch break, the Islamic center is housed in the basement cafeteria of a church on 6th Avenue. The community is something of a collision between the Pakistani Student's Association and the Palestinian Student's Association, and somehow I can't pass for either. (Something about my nose not being pointy enough. Both nations of the pointy nose...) I fled to Columbia where I correctly predicted that most of the kids at Iftar dinner weren't even Muslim, and was met by a special presentation of the Nakshabandi Turkish Sufis. The Taraweh was more of a workout than a spiritual reflection but I think I just need to get the hang of all that up-and-down. Even I hated pilates on the first day. This is like pilates + God. In any case I will go back next week and see if I can be inspired.
Which as I recall, seemed to happen through various means, several times daily, in Tangier.
I'm not moping, I'm just saying.

Tuesday, September 9, 2008

SIMON SAID, PT. 2

DAD TAKES OUT HIS FRUSTRATION OVER HIS TRANSPARENT WIFE ON SIMON, SENDING HIM TO A VOCATIONAL SCHOOL WHERE HE APPRENTICES UNDER "A REAL MAN."
SIMON DOESNT MIND BECAUSE IT'S NICE CONVERSATION AND A CALM ATMOSPHERE.
SIMON'S SHADOW TAGS ALONG FOR THE RIDE.


TO SIMON'S DELIGHT, THE COMMUNAL SHOWER HAS NO CURTAIN, AND HE IS FINALLY ABLE TO SEE WHAT HE WAS MISSING.


THE SCHOOL FINALLY NOTICES THERE ARE TWO SIMONS. THE DEAN CONFRONTS THEM BOTH WITH A SINGLE PHOTOGRAPH OF THE REAL SIMON. SIMON'S SHADOW BETRAYS HIMSELF BY TEARING THE PHOTOGRAPH IN RAGE, WHILE THE REAL SIMON REMAINS SILENT.



COINCIDENTALLY, A PRETTY BAD "ACCIDENT" IN THE KITCHEN IRREPARABLY DAMAGES SIMON'S "HAMMERING HAND," CAUSING HIM TO RUN AWAY FROM SCHOOL LIKE A THIEF IN THE NIGHT.

WITHOUT SIMON TO DRAG HIM DOWN, SIMON'S SHADOW EASILY BECOMES THE COOL KID.


NO ONE KNOWS WHAT BECAME OF HIM AFTER THAT FATEFUL DAY OF NOBLY GIVING UP HIS IDENTITY TO HIS MUCH MORE CAPABLE AND SOCIALLY ACCEPTABLE SHADOW, ALTHOUGH THE INTRODUCTION OF A NEW SPECIES OF FISH-BIRD TO THE STREETS OF TANGIER MAKES US WONDER...


SIMON'S SHADOW CONTINUES TO BATTLE HIS VISIBILITY ISSUES IN A FIGHT AGAINST TIME.

Saturday, September 6, 2008

SIMON SAID, PT. I

SIMON SAID LIVES IN A PRETTY NORMAL HOME FOR THE MOST PART, WITH A VIOLENT FATHER AND A MOTHER WHO IS HARDLY THERE.


WHEN LONELY SIMON MAKES HIS SHADOW HIS "TOP FRIEND" ON MYSPACE, DAD GETS WORRIED.


DAD TAKES IT OUT ON MOM, WHILE SIMON HIDES WITH HIS SHADOW BEHIND THE COUCH. WHILE BACK THERE, HE NOTICED A LAMPSHADE THAT WOULD MAKE A CUTE DRESS.


SIMON TAKES TO THE MACHINE WHILE IN CHARACTER AS "SIMONA" -
NO ONE FINDS OUT.


CONFUSED AND ALONE, SIMON(A) EVENTUALLY GETS INTO DRUGS. HE MAKES A CASUAL RUN FOR IT AS HIS "FRIENDS" ARE HAULED IN FOR DEALING.

HE MADE A CLEAN BREAK FROM THAT SITUATION, BUT HAVING FORGOT TO WASH OFF HIS MAKEUP, HIS FATHER GETS ANGRY ANYWAY.

FATHER ONCE AGAIN TAKES IT OUT ON MOM, WHO HAS RECENTLY STARTED TO DISAPPEAR FROM HIS LIFE, AS SIMON'S SHADOW IS BECOMING MORE AND MORE REAL.


SIMON WRITES, DIRECTS, AND STARS IN A MOVING ONE-MAN-SHOW ABOUT SELF-REPRESENTATION IN WHICH HE TAP DANCES ON FLOWERS.
FATHER WALKS IN AS HE IS PERFORMING ON STAGE AND LEAVES BEFORE THE SHOW IS OVER, BUT NOT BEFORE SIMON SPOTTED THE LOOK OF DISGUST ON HIS FATHER'S FACE AFTER SEEING HIS SON PRANCE AROUND IN NEXT-TO-NOTHING.



IT REMINDS SIMON'S FATHER OF WHEN HE WAS A BOY. ALL HE WANTED IN THE WORLD WAS TO BECOME A BEEKEEPER LIKE CRAZY UNCLE "IB." BUT HIS FATHER BEAT IT OUT OF HIM, THE SAME WAY HE WOULD BEAT THIS OUT OF SIMON.

WHEN SIMON RETURNS FROM HIS ONE-MAN CAST PARTY, FATHER FORCES HIM TO KILL BEES AS PUNISHMENT AND SECRETLY WEEPS AFTERWARDS, SEEING THEM ALL BLOODY AND STUCK TO THE WALL LIKE THAT.
SIMON WISHES HE COULD USE SOME SORT OF KILLING-SPRAY, ALSO HATING TO SEE THEM ALL BLOODY AND STUCK TO THE WALL LIKE THAT.
MOTHER SENSES THIS AND ALTHOUGH NOW COMPLETELY TRANSLUCENT EXCEPT FOR THE HANDS, SPRAYS THE INSECTS WHILE DAD'S NOT LOOKING.


SIMON REALIZED HIS MOTHER DOES LOVE HIM EVEN THOUGH SHE'S NOT ALL THERE, AND SPEEDILY WORKS THROUGH ALL THOSE MOM ISSUES.

THINGS ARE LOOKING UP...

Thursday, September 4, 2008

FAR ROCKAWAY

"I'm a smoker as you can see. I have to apologize. I really shouldn't be smoking."

The middle aged woman with the awkwardly arranged gray bun in her hair started to fidget with pieces of her kitchen.

"Here c'mon we'll try it right here." She left the room to find cloth and thread so I could test out the machine.

"As you can see, it's brand new!" she yelled from the next room, unnecessary in such a small apartment.

"You can just unplug the vacuum cleaner to get that thing going!"

In searching for the vacuum cleaner plug, I surveyed the kitchen, a hodgepodge of colorful dishes and imported goods from India. There were some posters indicative of her religious persuasion, having converted from Judaism to Sikhism, which I already knew because she told me in the car as part of the explanation for why she moved from the upper west side to Far Rockaway.
I can't remember how it fit into her story or why she felt she needed me to approve of her life choices.

"Not a big deal," I said. "Some of us live here, some of us live there." It sounded vaguely like something she might say. Safe choice of words.

"...but it was all we could afford at the time and you know even with this crazy economy I'm still paying less for this apartment than I was over in Manhattan."

Looking around the apartment, it wasn't hard to understand why, although she had made it cozy with oversized cats for insulation and paisley bedsheets nailed to the walls like tapestries.

"Here we go. I use this just to clean things up sometimes, no big deal if there are a few stitches in it."

She handed me a white, blood-stained handkerchief.
I waited for her to explain that it was actually ketchup but she didn’t, and I was too impatient to leave to insist on a less cryptic scrap of cloth.

The machine itself did seem brand new, without so much as a fingerprint on it. It was more of less like the one I share with my mother in Buffalo, so I knew how to thread it. I slid the non-bloody side of the cloth under the presser foot as the woman explained to me that her mother could “sew like a horse.”
I told her my mother could sew like a seamstress.
She replied, “Well, yeah, my mother was a seamstress.” I backed down.

“But I just don’t have the knack for it. Or maybe the time, or space, or…” I listened and added appropriate comments and questions where they fit. She asked me to repeat everything I said. I would switch to a tone someone might use to read a children's book, to encourage her to reply to my questions with something relevant to the topic. Sometimes it worked.

Her head was almost resting on my shoulder. My right shoe searched for the plastic pedal and was greeted by the sound an elephant makes when it bleeds.

“What the…” The woman eyed the machine with a furrowed brow. “Try it again try it again.”

I re-threaded both top and bottom and tried maneuvering the bloody cloth once more, but no-budge.

The next ten minutes consisted of her saying “now, what the…” in different tones and at various speeds. She would probably also be really good at reading children’s books.

Eventually she gave in. Speaking slowly, “you know, I re-mem-ber having this problem once before. I think it’s why I gave up on my sewing!” She let out a hearty laugh. I even more slowly suggested that I leave. She suggested we continue looking at the machine saying “now what the…” and so we did. It was her house I had to follow the rules.

“The thing is (I tried to use all of my favorite phrases to keep me entertained), the teeth aren’t rising up to the cloth. See how it’s buried? It’s supposed to rise up to meet the foot and nudge the cloth forward. Instead the needle is just sewing in the same spot over and over. Nothing is moving forward.”
I quietly enjoyed the metaphor and wondered to which of us it was relevant as she switched her repetitions to “awww Iiiii seee.” I hummed in agreement after each time until I felt it was encouraging her to keep saying it.

Once our song was done she insisted we best be getting to the station.
“Well, at least you don’t have to walk!”
“Yeah, thanks for driving me.”
“You know, it actually all worked out for the best I think because I never would have known what was wrong!”
“Yeah.” I tried not to think about the two hour subway ride ahead of me as we both climbed through the passenger door of her sea-green Buick.
“Can you believe this only cost me $300?”
“Wow.” Actually I couldn’t. It was an okay looking car. My favorite color. Same color as my ipod. Which also cost $300.
“Same price as a sewing machine,” I offered, and wondered if it was inappropriate.
“I know! And it drives, to boot.”
“To where?”
“…to boot.”

We passed an African-American couple on the street, and here she found an opportunity to share her expertise about Far Rockaway. “You know, the Blacks are actually very friendly here. The Spanish, no, but the Blacks, oh yes. Very ‘yes ma’am no ma’am.’ I can’t say anything about the Jews though!” Then muttered something. She laughed because I was supposed to know what she meant.

At Mott St. she thanked me again as I tripped out of the old Buick. “May you have… the best life. The best of life.” She was moving her head back and forth and enunciating her words like it was a poem.
I smiled. “Oh, thanks. Good luck with the machine.”
She sort of winced as I mentioned it- the thorny issue tainting our otherwise pleasant relationship- and winced again as a crowd of teenagers called out to me as I entered the station. “Sugarbuuuutt!” 

Monday, August 25, 2008

IT'S THAT TIME OF YEAR AGAIN

WHAT TANGIER TAUGHT ME ABOUT RAMADAN, sources included in parentheses:

1. Don’t strategically forget it’s Ramadan. (General Words of Wisdom)
2. If you do not wear a djelleba, you are technically not Muslim (most boys from Al Hociema)
3. Put long skirt on over your regular outfit before you reach the door to the mosque (shifa)
4. You don’t have to fast if you are chronically sleepy, but you do have to constantly accuse others of not fasting, to make up for it (multiple sighted sources)
5. When you see a procession of young boys running with bowls through the street, you know it’s time (Grand Socco)
6. Try to remember the difference between gin and water. (General Words of Wisdom)
7. Bringing fruit to a Moroccan family who has invited you for iftur is ridiculous and they will mock you (shifa)
8. Don’t break your fast with kif. always eat a smidgen of a date first (Grand Socco)
9. Always remember to hang mildly translucent bedsheets over your wine rack. Sometimes you can cut eyeholes in these for a spooky effect (Casa Pepe)
10. Despite popular belief, glue sniffing is allowed during daylight hours (Rue Imam Laiti Glue Sniffer)
11. Despite popular belief, punching other people in the face is also allowed during daylight hours. But sex is not. Even just regularly. Unless maybe it's a really dark room. Or the Hotel Flandria (not shifa).

Stay Tuned For “WHAT THE NYC ARAB CORNER-STORE CASHIERS WHO I PLAN TO BEFRIEND FOR MORAL SUPPORT TAUGHT ME ABOUT RAMADAN.”

Friday, August 22, 2008

ONE WOMAN SHOW

Now that my two years of moroccan-husband-searching are finally up (out of necessity, not success), I finally discovered the cruel secret they were keeping from me, betrayed in the end by Shayla, my friendly Arabic Podcast host. An early September "Festival of Brides" in Imilchil, south of Casa, involving mass-husband choosing by the girls that had come of age in the year preceding. When I googled it I found a photo of a group of men all peering over each other, presumably at the women, like boys at a high school snow-ball. Only some of them were toothless. I keep wishing I was there.

Shayla's incessant talk of Moroccan culture is not helping the situation either. Her subtly firm grasp of English idiomatic parlance does not convince me that she is also doomed to a life away from $.50 bowls of baysar and loosies for a dirham. I suspect she records from a flourescently lit internet cafe in Casablanca. Oh Shayla. If only you weren't my teacher.

Sometimes I talk nervously to myself out loud in coffeeshops in Arabic to warm up my vocal chords before I delve into learning and creeping out my neighbors on the sinky couch cushions totally non-condusive to serious academic work. I recently realized the first thing that comes out of my mouth without thinking is "N3am, walikin m3andish asdiqa' hanaya." It's sort of sad and makes me wonder why I miss Tangier, but then I convince myself I learned it from Maha. Hiya f3eallan wahida.

Wednesday, August 6, 2008

Old Times

I’ve been trying to keep up my Tangier lifestyle while spending my days dragging 30 lb groceries through the streets of Brooklyn because I can’t figure out the subway and when I do it is undergoing maintenance.

I visited Atlantic Ave. first chance I got, hoping to be swaddled by a warm blanket of Arab sights and sounds. There were more hipsters than hijabis and hardly anything halal. I managed to peek my head into a Yemeni restaurant full of only men, and was comforted by the awkward and misplaced-ness of my presence under the fluorescent lights. I will go there later with a notebook and it will be just like old times.

I found a few butchers that will come in handy for next month’s Ramadan, one Pakistani, one Lebanese, and one Egyptian. I decided to make it a competition of signage, and since the Pakistani had his price list titled “HALAL MEAT” all in that ghoulish font typically used only on Halloween (with the blood dripping down the letters), he definitely wins.

I tried to befriend the Lebanese Goods cashier in my old way, explaining that the name on my “SHIFA HONEY HEALING HONEY IT WILL AMAZE YOU” honey bottle, was in fact my own name! He ignored me. I guess it only works in Arabic. And not in America. I’m starting to feel that way about my personality in general.

At the end of the street is a perpendicular highway and beyond that highway is the river. I could see boats on it and as the sun set the whole street was orange. It made me want to buy school supplies. Instead I hung my head low and began the hour-long walk back home, when out of nowhere the Adan (call to prayer) started to blast from the loud speakers of Al-Farooq Mosque and out onto the streets of Cobble Hill for everyone to hear. I didn’t even think that was legal. But there it was. And all the shops closed, and re-opened fifteen minutes later. And I was late for prayer.

Saturday, July 19, 2008

THIS THING IS JUST A MEMORY BOX

The kids on the street set up a lemonade stand.
It vaguely reminded me of Safia and the fresh squeezed orange juice, mostly just the spirit of it, so I went over. As I approached, the sight of cell phones and bottled juice set up on a foldout table forced me to pretend I had walked to the end of the driveway to get the mail.
Things just aren’t the way they used to be.
There’s even a black kid on the street now. We haven’t had one of those in years.
Twenty years now we’ve been the most non-white family on the block. Ironically the only time my neighbors see me is when I take the day to tan in the backyard.

I can’t tell what I’m writing about anymore. All I have here is my family, (almost the exact opposite of Tangier) which I was banned from writing about years ago when my Baji made me promise never to mention her by name when I become a famous journalist.
I am starting to become fascinated by the daily living practice of everything around me, I think it’s more of a bad habit than creative inspiration, seeing everything like a specimen. In any case I’ve been busy with a project of preservation.
The project we started at the Cinematheque right before I left was Memory Box / Boite a Enregistrer les Souvenirs / Snduq Al-Dikrayat, to preserve the memories and family stories of our neighborhood. The whole family album.
It spawned out of wanting to record every word my mother said. So I got home. She was still talking. The family albums were still there. My sister had begun to censor them, removing and possibly destroying the ones that included my other sister, when she was young and adorable, where you can see her true hair color, and the same of my mother before she went to Hajj. These are the gems.
As someone who has an almost manic obsession with recording everything through pictures and sound, I have been trying to build on our family album for years. It’s like cutting my legs off.
So I have launched a preservation project to digitize all family memories before they are screened by the “black cloud.” In a way I understand what she is doing but in a plumper, more supple way, a way that takes up most of the chair, I think the whole thing is ridiculous and as much as I miss Tangier, I’m glad I am home to save these things.
Even my mother, when she opened one of the 1999 Kashmir albums exclaimed, “This thing is just -like a -memory -box!” with all the usual hesitations and accent.

And I miss the elastic way of practicing Islam that seemed to come from all directions back west, generally behind a façade that presented itself in a caricature almost like a joke, like talking and winking at the same time.



This is the only picture I have with no people in it. Maybe I will start coloring the faces of people in black like my mother does when animate objects sneak onto the patterns of the fabric of our furniture. In her defense, sometimes it does take a month or two to recognize that squiggly shapes spell out a body. Head and hair and everything.