Saturday, March 26, 2011

IT'S MY FAULT

I talk to myself the most.

It might be that every sheet of paper I borrow from Cafe de Paris burns another bridge. I had to get up three times today to ask for another wrqa. One of the things I say the most here is "ghallat dyalee" - it's my fault. Maybe I never learned how to be polite or maybe I'm just telling myself that to make excuses for things I know I shouldn't do.

I have chosen to ignore the difference between K (singular second person) and Koum (plural second person), and it gets me into linguistic fowda. Whenever I come back to Tangier I get gifts for cafes and other establishments that I frequent/haunt and almost every time the random waiter I give it to assumes it's for him and himself alone. And all the other waiters get offended and I get a funny feeling in my stomach when I do things like ask for pieces of paper. Apparently gifts are an efficient way to burn bridges.

I've been reading a book comprised of quotes from Imam Al-Ghazali. I read the first half of the book like a textbook, but the sort of textbook where you highlight everything because all of it is important and in the end the pages are 90% flourescent yellow with red ink in the margins and you get really embarrassed when someone asks to borrow it.

Page 3 and Lesson 1 : knowledge without action is insanity and action without knowledge is vanity.

Thursday, March 24, 2011

INSANE CLOWN POSSE


Yes, it has officially happened. I was offered a job as a clown. The offer induced laughter, then excitement, and eventually terror.

I was chatting with the shoeshiner, who tends to stop and say hello, gesturing at the seat across from me to ask if he can sit there while he waits for customers. I always say yes but usually add - "but I do have a lot of work to do, sooo..." He sits down anyway and makes a mouth-zipping gesture and promises to be quiet.

A group of four was sitting beside us and kept looking over as though they wanted to ask for something. I smiled, we got to talking, and I said something about how "kanhbb tanja bzzef bzzef walakin makaynshi khdma. WALU." (i love tanja soooo much but there's no work. NOOO WORK). I say this sentence at least ten times a day.

"Join us!" they cried jovially.
I asked "Shnoo khdma dyalkoum?" (where do you work?)
"Bahlawan."
Balawan?
"Balawan."
"Shnoo??" (in my usual squeaky 'shnoo' voice)

The shoeshiner, who was annoyed for the entire conversation and definitely did not want to take part, finally rolled his eyes and translated:"Clowns. They are clowns," as though we had just lost a round of charades.
I'm not sure what sound or face I made, but both of sheer disbelief and delight.

I fear clowns just as much as the next guy, but it was some sort of twisted reflex. And since no one was wearing their gear at the time, I felt pretty okay. So we all chatted and I learned some clownish vocabulary in derija (Fessi derija mind you). Perhaps their invitation was in jest, but they appeared in earnest when they asked if I would want to join them as their "woman clown," and then asked me to at least come see them perform at a local Moroccan school the next day. Of course, OF COURSE, I said yes. Who can say no to a clown?

The next day we all piled into a shady white van. When we arrived, the children were all lined up, waiving their tickets to the show in the air, entering one by one. After everyone was in or being kicked out, and before I could assemble myself, the music started pumping and the kids were singing along with a terrifyingly dressed Moroccan clown who, although a man, had perfect control over the swaying of his hips. I eventually recognized that it was the shorter of the two boys that seemed so ordinary at the cafe the day before. I sat through the show which mostly consisted of him yelling "khyba!" (bad) at the kids, and they accusing him of being "khyba!" back. (This sort of exchange is typical with kids here. They love it.) At one point he jumped onto the benches and started running around frantically. There is no way he didn't step on at least one kid. All in all, a good show. I wondered if a tasteful clown dress of only mint green and black would any less insane. I'm sure it could be considered couture some day. Besides, who are any of us to say what is and is not clownish?

We gathered equipment, got back in the van and things started to feel uncomfortable and not entirely real. We headed back to the cafe where the woman was trying to make plans with me for the next day. The shoeshiner was there and took me aside and warned me, very seriously, not to trust these people. "They want something from you." And he walked away looking like a worried father. I felt slightly suspicious of their hospitality but hey, it's Morocco. It's normal. The more you are able to trust people, you learn things you would ordinarily never get to know. This has always been my philosophy, and I am consistently being warned about it, but you can't change a hardened woman.


Things got quiet and I gradually began to notice that all of them kept making eye contact with each other silently and then the woman would ask me a question either involving making plans or where I lived. She made at least four attempts to figure out exactly which street I lived on. I hoped that maybe she was just an impolite woman, and quickly called a friend for backup, just in case, to make sure I didn't get captured by this Insane Clown Posse. Things were feeling sinister. They sensed my fear and started to loo like they were going to either boil me in a pot and eat me or chop me up and sell me for parts. Or just sell me whole.

My friends showed up, immediately agreed that this was not a good situation, and we left just after I promised the woman that we would go to the hammam the next day. My friends made me promise not to go because they both agreed that they were definitely planning something for me and it was not the hammam. BUT THEY WERE CLOWNS! I ask myself, is that a reason to trust them, or a reason to think they might capture me or sell me into white slavery. To their defense, they are from Fez. (And yes, that was another jab at Fez and how awful it is.)

Various members of the ICP traveling show called me from different numbers thirteen times the next day, and I didn't answer. They left for Fez the following day and I figure I'm rid of the temptation of seeing them again and facing the possibility of capture.

But O, to be a clown! Even just for a day.
No one would be able to notice how big my nose is, hiding under that big red ball.
Enough reason to be a clown.
Did I lose my chance?
I'll sleep on it.
They return to Tanja in one week.

Monday, March 21, 2011

THE VOICE OF THE COCK

The roosters are confused. They starting crowing for Fajr prayer but then they keep going until almost 3pm. It's frustrating but as Imam Al-Ghazali taught me in a present from my father, "Dear Beloved Son," 'the voice of the cock" is one of three exalted voices, I'm assuming because it wakes us up to pray.
My regular hairdresser mildly fondled me today. Not so much fondle as offered to scratch my back like a loving mother and I couldn't resist, as the fate of my hair was in her hands. I'm not sure if I can go back. I suppose I can live with stick straight hair. The young girls in the neighborhood giggle and pet my hair when I walk by. Little do they realize I would kill for those crazy Moroccan curls.
The cats sound like birds and a woman outside my window is repeatedly yelling at her husband to buy cream cheese over the sound of the call to Asr prayer. The boys outside are kicking the football against the wall of the house and the rooster is still crowing. The neighbors daughter is throwing pebbles onto my balcony and there is nothing I can do to stop her.
These are the sights and sounds of the city today.

Thursday, March 17, 2011

EASE

EASE: a way of sewing a large piece of fabric into a smaller space without resulting in gathers or puckers.

What was that book that said the sign of a good woman is that she has a clean home?
What was I thinking about dreaming of?
Dreams are overlapping with reality. I can't tell them apart.
One sign of a bad women is when her maid resents her. I tell myself that the reason she makes extra unnecessary noise when I sleep late is because I don't save plastic bags and that makes it difficult to collect trash like a normal person. Then I say that in my dreams I wrote something brilliant but was too tired to get out of bed to write it down. These are the nice things you tell yourself when everyone tells you that you seem "constantly angry" when you pride yourself on having won the "nicest girl in school" award three years in a row at Country Parkway Elementary. So I try to do nice things. And look out for old people about to trip and fall so I can rescue them.

We have a classic home video of my brother, my father and me, circa 1987-ish where I wander around the patio making duck noises while my father asks my five-year old brother what he wants to be when he grown up.
He said:
"First, I'll learn to fly the ai'plain, then I'll fly the helicopta."
Dad: "what about your studies?"
Brother: "...fly the helicopta......read my boooooks....then fly the ai'plane.

He was also well known to answer : "I wanna be a Maaaaan." Buffalo accent included.

So, these are my goals for the YEAR:
-fly the airplane
-read my booooks
-be a good woman

Goals for the WEEK:
-burn no bridges
-make no enemies
-clean my room

Goals for TODAY:
-don't trip on a crack in the cobbled streets with my new heels.
-in honor of my father's birthday, read the book that he gave to me, "Dear Beloved Son."

Goals forever: lead a simple life.

Friday, February 18, 2011

I built a room for you in my heart



It has a garden and everything.

Loop-de-loop

LOOPING: connect the beginning to the end to allow for continuous repetition.

How to say "nausea" in Derija? I hate having to mime it out. It reminds me of those months when my sister was having morning sickness, and my two year old nephew would walk around hunched over imitating someone throwing up.

It's my first day in heels. So far I'm doing okay. I reroute when I know I'm approaching a "problem area" - the saggy arms of a muddy park where the heels sink in; full hips followed by confusing and surprising slopes; the cracks in the skin of the sidewalks that only I seem to trip on; of course, the endless hills of the city (the unmentionabls). I know exactly which spots to avoid and will take my chances after enduring three months of Buffalo snow-weather, when dreaming of a sunny Tangier got me through the sludge. Now I'm dreaming of the sweaters that could have kept me warm in the wind of the beaches of the Atlantic.

If I manage to not trip and fall, I am positive that I will either fall asleep or vomit in public because espresso puts me to sleep and because I have been drinking the local tap water. Can I really be expected to spend $2.00 a day on bottled water? $60 / month? With that much money I could buy a whole pair of jeans that won't fit me. Plus, the more contaminated things I consume, the more ready I will be for an eventual trip to Kashmir. Incidentally this approach already proves that I have already started to get comfortable with the infamous Kashmiri logic. Somehow all of its unexpected twists and turns always reminds me of those looping straws from Fantasy Island (an amusement park, not a strip club). I guess along those lines it also reminds me of a faulty roller coaster. In either case, I'm looking forward to making loops out of straight lines and disregarding the linearity of cause and effect until it makes no sense at all and I will say it like I believe it and then repeat it until I believe in it. It is what we were born to do.

Wednesday, February 16, 2011

CHOOSE YOUR OWN ADVENTURE

It's not that Tangier doesn't inspire me, because it always will. But even the idea of being "inspired" is somewhat alien. After two years in NYC I seem more concerned with people rather than places because I keep personifying the city.
There is a man who makes maps based on the haunts of William Burroughs in Tangier. He draws maps of the city based solely on where he used to go. It is what it is, but I'm excited for soundwalks. It is never entirely possible to document the spirit of a city, but a combination of sound and visuals and oral history can preserve different facets of the community and also support my self-indulgence in making and tracing maps as art projects.

A city is a character, not to be confused with having character, or what my mother means when she says in her Kashmiri accent, "he is just a character. Just a character."
So, a map of sound is sort of like following someone around and recording what they say. Or recording their breathing noises and other sounds a body makes. But that sounds gross so I'll say it the first way.

Sunday, February 6, 2011

Abuse

Is Tangier abusing me in the night?
The harassment has changed.
Today a local midget called me a cheetah. A West African man called me a "meanie."

Living at the Andalusia has treated me okay except for waking up with random bruises. One above my left eyebrow that will definitely leave a scar and looks like I've been branded. The other is a huge purple bruise above my left hip in the shape of Africa.

Tangier is upset with me but she'll get over it. This was never meant to be forever. Breakups are painful. And she is a psychopath.

Friday, February 4, 2011

compartment 1


I missed my train by a few seconds. Fatimah was upset and I told her that Allah just didn't want me on that train. I was already remembering that I forgot to buy a notebook or a pen for the five hour train ride, when a man with a bag came into the station cafe and put little notebooks with pens attached on everyone's table, then came back around to see who wanted to buy one. Ten dirhams. And a three color pen! Allah clearly wants me to use this time to reflect on things and to use my red pen to edit out the bad stuff.

In the Casa Voyageurs Cafe, everyone is only paying attention to the news on TV, even those of us that only understand the pictures.

TRAIN 1, Compartment 1: the mission begins. One crying baby, her parents and a young couple. I smiled at the baby which turned out to be a deadly mistake. She was more of a cookie monster than a baby. They all immediately started talking about the crisis in Egypt- I understood the vocabulary but not the content. They were arguing politely and finally agreed to disagree. Eventually we all caught on that the younger guy didn't really speak derija, and the conversation switched to English. I tried to audio record and also accidentally filmed my hand making a cheese sandwich and then holding it for a long time. I didn't talk much because I didn't know enough about the situation to comment because I only understood the pictures.
The cookie monster was inappropriately caressing us all and the only thing that kept her quiet was scribbling in this notebook. She eventually resorted to singing everyone to sleep and I gave the "I-did-my-part" look and wouldn't look up.

I'm realizing that even after a year and a half my writing style hasn't changed at all. Maybe Tanja hasn't either.

Thursday, February 3, 2011

BFFs



It's a new year and inshallah each new year will continue to bring a visit to our beloved Tanja. Everything is wet and clean from the rain. The ocean stays the same. I've stopped caring about scrapes and bruises because they help me remember things, so I appropriately only brought slippery boots and summer clothes so I have an excuse to carry around a blanket in my oversized purse and spend hours in cafes inappropriately cuddling with it.

Themes for the coming months:
-bias: run against the grain
-basting: sew a temporary stitch to hold things in place
-butting: bring two edges together to touch but not overlap
-beeswax: keep the threads from breaking


-"back to basics": avoiding men who might want to marry you and simultaneously try to find someone to marry you;
while the romantic and cinematic side of you wants to return to the Muneria where everything is blue, in the spirit of new beginnings, go to the hotel across the street instead;
sit closer to the fire in the public oven to keep warm in the winter;
make a bun in your hair and hide a microphone in your hijab;
Do your job.


I don't need to give up all of my old haunts or habits, but I feel older and less preoccupied with constantly having new adventures because it is no longer my job to do so. I am here to listen and work.
And eat. And pray. And not-love Tangier all over again.
He's broken up with me too many times.
But can we at least still be friends?